STALLER CENTER TECHNICAL INFORMATION
The following addresses are for TECHNICAL CONTACT ONLY.
(Please scroll down to see all technical information.)
Production Manager: Michael Leslie
Phone: 631-632-7236
Email: michael.leslie@stonybrook.edu
TD/Concert Stage Manager: Liz Lamendola
Phone: 631-632-7249
Email: elizabeth.lamendola@stonybrook.edu
Technical Director: Will Montolio
Phone: 631-632-7227
Email: william.montolio@stonybrook.edu
Mailing Address:
Staller Center for the Arts
Room 2032
Stony Brook University
Stony Brook, NY 11794-5425
FAX: 631-632-7354
Directions to the Staller Center Stage door/loading dock from the LIE (495)
Google Map Search “ Staller Center Loading Dock”
Long Island Expressway (interstate 495) East (from New York City - Midtown Tunnel) to EXIT 62 : Nicholls Road (county road 97) Take Nicholls Road (CR 97) NORTH toward Stony Brook.
After 6.3 miles on Nicholls Road Northyou will come to Route 347 (Nesconset Highway)
Cross over Route 347 proceed 2.2 miles passing two traffic lights. The second light is the 1ST (south) entrance to the Stony Brook campus. Pass this entrance. DO NOT TURN!!
The third traffic light is the MAIN ENTRANCE to the campus.
Make this LEFT onto Shirley Kenny Drive.
At the next traffic light turn right onto Circle Road
Make the next left onto John Toll Dr. (maybe 50 yards from the traffic light).
The road curves slightly to the left. After the grey wall on the left you will see three ramps/loading areas next to one another. pass all of these. On the left you will see a tall windowless brown brick extension of a building (looks
rather like a fly loft). Pull into the next loading dock on left (immediately after the large windowless brown brick building segment close to the
road). This is the Staller Center theatre loading dock.
Stony Brook is about a 2 hour drive from New York City in average conditions.
Absolute best case 1 hour, in rush hour maybe 4 hours or more.
MAIN THEATRE TECHNICAL INFORMATION:
Drawings:
PDF: groundplan section
DXF: groundplan section
VWX: groundplan section
Seating capacity: 1050
Dimensions:
Proscenium:
Width: 46' - 4"
Height: 29' - 10"
Depth:
Plaster line to last pipe batten: 25' - 7"
Plaster line to rear wall: 34' - 0"
Plaster line to downstage edge of apron: 12' - 2"
Last pipe batten to rear wall: 8' - 0"
Width:
Wall to wall: 89' - 8"
Center line to SR wall (usable space): 42' approximately
Center line to SL wall (usable space): 39' - 6" approximately
Wing space: Cork Line to Wall
Stageleft: 11' to the fly rail.
Stageright: 14'
Height:
Stage floor to grid: 62' - 5"
Stage floor to "clouds" above apron: 26' - 2"
Stage floor to most pipe battens "gridded": 57' - 0"
Stage floor to bottom of pin rail stageright: 17' - 10”
Proscenium height: 29' - 10"
Front of House:
200' Cable run to lighting control booth
250' Cable run to FOH mix position
140' Line of sight from projection/camera position
Loading dock:
Location: stageright
Dock Height: 51”
Loading area 'garage door' 10' 7" W x 11' 7" H
Loading dock edge to garage door 11' 3"
Maximum opening of doorway between stageright and loading area 7' 4" W x 12' 1" H
Largest objects that could travel from outside the building to the stage via the loading
dock:
Largest box size: approximately 7' 4" W x 10' 6" L x 11' 6" H
Longest object less than 8" W approximately 30' L maybe accommodated
Loading dock can accommodate 2 trailers side by side
Trailers can stay in dock.
Bus parking avalible at stage door
Hydraulic stage lift /elevator/pit:
Location: downstage of proscenium
Dimensions: 45' - 6" x 10' - 0" approximate; trapezoid; see ground plan.
Designated stops:
Stage - level with stage
Seating - 3' 1" below stage
Orchestra - 7' 6" below stage
Pit/trap room - 17' 4" below stage
The lift is able to stop at any level between - however access is inconvenient and must be requested, discussed, and planned for in advance.
Control: remote unit on lift itself or console on stageright.
Maximum load approximately 5000 pounds.
Power:
2 separate company switches are available.
Each panel provides a 3 phase, 400 Amp, 120/208 Volt, 5 wire service.
Located on stageright.
Cam-lok only. No bare wire leads.
6 separate 20A "edison" or "U-ground" wall receptacle circuits located onstage onstage.
Lighting:
Control:
(1) ETC Ion control console with 3 wings
Nodes and Ports Locations:
(4) DMX Nodes ETCNet 2
(2) DMX Nodes ETCNet 3
Backstage Right DMX Node
Backstage Right Cat 5 port
Backstage Left Cat 5 port
FOH Catwalk 2 Ports House Left
House Right Port (mid house tech table position)
Projection Booth Cat 5 port
Light Booth Cat 5 port and Node
Dimmer per circuit - 352 total
Breakdown:
2 Permanent house electrics (linesets B and C) have 35 circuits each
124 Additional circuits available for overhead use on stage; 64 on stageleft and 60 on stageright.
20 Circuits in 5 floor pockets upstage of playing area.
Instrument inventory (including normally hung units) :
ETC Source 4:
(60) 36 Degree (6X9)
(40) 26 Degree (6x12)
(40) 19 Degree ; normally hung on first bridge and in first slot.
(30) 10 Degree ; normally hung on second bridge and in second slot.
Fresnels
(30) Altman 8" Fresnels - 1 KW
Par Cans
(65) PAR 64 cans - 1 KW WFL MFL NSP or VNSP lamps available
Cyc lights and Ground row
(8) 4 Circuit farcycs - 500 W Normally hung on permanent electric #2 (line set C)
Capitol T Lamp 3 Color Ground Row Strips 500W
(3) 8’0 Sections
(4) 2’0 Sections
Spotlights
(2) Lycian Super Arc 400 followspots - 400 W
Other
(8) Booms (maximum height of 14')
(51) Sidearms
Color frames for all units.
(34) B size Template holders for source 4 units.
(30) A size Template holders for source 4 unit
(10) Glass template holders for source 4 units.
(10) Universal Iris slot glass/metal combo Template holders
(10) Irises for source 4 units.
(32) 8" barn doors for PAR or Fresnel units.
(20) Source 4 Top Hats
(6) Source 4 Half Hats
Pin connector extension cable, two-fers, etc.
Normally hung fixtures:
First bridge: (24) 19 degree Source 4
Second bridge: (24) 10 degree Source 4
First slots (box booms): (13) 19 degree Source 4, (2) 26 degree Source 4 house left
and house right
Second slots (box booms): (4) 10 degree Source 4, house left and house right
First and second electrics (linesets B and C): (2) 6” Fresnels each for worklights
Second electric: (8) 4 circuit farcycs (upstage side of truss)
Audio:
Mixing consoles:
Soundcraft S1 Performer 3 console
Playback:
(2) Denon C680 CD player
Main PA
16 - JBL VTX 120 Line Array Sepakers (flown)
4 - JBL VTX S25 Line Array Subwoofers (flown)
7 - Crown iTech 3500 HD Amplifiers (Main PA)
4 - JBL Vertec VT4886 (front fills)
1 - Crown iTech 5000 HD Amplifier (front fills)
1 - Soundcraft Mini Stagebox 32i
4 - CAT 5 250' Snakes
Monitors
10 - JBL VRX 915m
2 - Crown iTech 3500 HD Amplifiers
Microphones:
(4) Shure ULX RF Receivers
(4) Shure ULX Beltpack Transmitters
(4) Shure ULX 87A RF Microphones
Assorted microphone stands, cables, etc. for limited sound reinforcement situations.
Wired Com. system:
(1)ClearCom Base Station
(4) ClearCom Belt Packs RS-701
(4) Single muff headsets SMH-210
(2) Double muff headsets
Wireless Com System:
(1) HME base station
(8) HME BP200 Belt packs and HS-15 Headsets
Fly system:
The fly rail is located stage left
Total number of linesets: 41 (includes 2 electrics on winch motors, excludes fire
curtain)
Manual lineset arbor capacity (in addition to pipe weight): approximately 850 lbs
Linesets "B" and "C" are driven by electric winch motors and have a static arbor load. Each winch driven "lineset" has a maximum load capacity of 1200 pounds.
Total weight available (in addition to all pipe-weights and normally hung goods): approximately 5200 pounds.
Battens:
Distribution: approximately on 6" centers unless noted.
Construction: 1.5" (ID) black pipe. All battens comprise at least two sections of
pipe joined with an internal black pipe sleeve
Linesets "B" and "C" are welded 1.5" and 1.25" pipe in a somewhat triangular-trapezoid
truss configuration (see section)
Out trims: (height above stage floor when gridded)
Linesets 1 through 38 grid at 57' give or take a few inches.
Lineset 39 grids at 58' - 7"
Linesets "B" and "C" grid at 49' 6" (see section)
Pipe Lengths:
Linesets B and C (winched electrics) are 49' 8" long
Manual lineset system pipes vary from 51' to 56' ; only 3 are shorter than 53' and
may be exchanged with the batten from another lineset if necessary.
Soft goods:
Permanent:
(1) Main curtain: grape manual guillotine (located on line 1)
Normally hung:
(4) Pair of black velour legs:
Tormentors - 28' x 10
Legs 1 and 2 - 28' x 12'
Legs 3 - 28' x 16'
(4) Black velour borders: 10' x 60' (including teaser)
(1) Seamless sky blue cyclorama: (located on line 39) 32’ x 55’
Also available:
Sharkstooth scrims (30' x 60') Black, Sky blue, Dark blue
(1) Borders 10' x 60'
(2) Legs 28’x16’
(2) Full Stage Blacks (each panel 28’x 30’)
Dressing rooms:
All dressing rooms are located two floors below stage level.
Dressing rooms are accessed from stageright,
Dressing rooms can be accessed from stageleft via below stage crossover.
All dressing rooms have:
Private showers and bathroom
Mirrors with make-up lights
Audio only monitor and paging reception; paging microphone available stageright
Dressing room Break Down:
2 Chorus rooms, each holding up to 16 people
2 Midsize rooms, each holding up to 8 people
3 Small rooms, each holding up to 4 people
Wardrobe room
Wardrobe room located in the dressing room area equipped with:
(2)Washer and (2)dryer
Ironing boards and irons
One steamer
Sewing machine and sewing supplies
(4) Portable 8’0 Rolling hanging racks
Green Room
Green room located one level below stage level, stageright
Orchestra shell:
General description: Acoustically designed, steel, counter weighted, motor driven
orchestra shell. Rear wall and ceiling fold and store (raised) against rear wall of
stage. Side walls fold and store against upstage side of stage left and stage right
walls of proscenium.
Access when erected: 1 door stageleft and 1 stageright (see groundplan)
Erected dimensions:
Width: 36' - 6" (upstage) - 49' - 6" (downstage)
Depth: 21' - 3" (to plaster line)
Height: 24' - 5" (upstage) to 27' - 6"(downstage)
Stored dimensions:
Upstage: 36' - 6" centered on rear wall. Clearance: 12' - 9" approx. Depth: 8'
approx.
Other:
Onstage crossover -6'0 upstage of last line set to back wall of theatre
Offstage crossover - 2 flights below stage level
TV:
Closed circuit TV for late comer and for Program purposes
The angle, quality, and size of the image are good.
Connections are available in various locations
PROJECTION:
Eiki 5K - portable, short throw
Panasonic 7K - long throw to small screen. Mounted in projection booth at back of
house.
Christie Digital Cinema projector for large screen applications. Mounted in projection
booth at back of house.
10' x 14' fastfold screen.
STALLER CENTER LINE SCHEDULE
|
Lineset |
Distance from Plaster |
Normally Hung Goods |
|
A |
0'-4" |
FIRE CURTAIN |
|
1 |
1'-1" |
MAIN CURTAIN |
|
2 |
1'-10" |
TEASER |
|
3 |
2'-4" |
TORMENTORS |
|
B |
3'-7" |
TRUSS LX |
|
4 |
5'-7" |
|
|
5 |
6'-1" |
|
|
6 |
6'-7" |
|
|
7 |
7'-1" |
1ST BORDER |
|
8 |
7'-7" |
1ST LEGS |
|
10 |
8'-7" |
|
|
11 |
9'-7" |
|
|
12 |
10'-1" |
|
|
13 |
10'-7" |
|
|
14 |
11'-1" |
|
|
15 |
11'-7" |
|
|
16 |
12'-1" |
|
|
17 |
12'-7" |
2ND BORDER |
|
18 |
13'-1" |
2ND LEGS |
|
19 |
13'-7" |
|
|
20 |
14'-1" |
|
|
21 |
14'-7" |
|
|
22 |
15'-1" |
|
|
23 |
15'-7" |
|
|
24 |
16'-1" |
|
|
25 |
16'-7" |
|
|
26 |
17'-1" |
|
|
27 |
17'-7" |
3RD BORDER |
|
29 |
18'-7" |
3RD LEGS |
|
30 |
19'-1" |
|
|
31 |
19'-7" |
|
|
32 |
20'-1" |
|
|
C |
21'-4" |
TRUSS LX |
|
33 |
22'-11" |
|
|
34 |
23'-5" |
|
|
35 |
23'-11" |
|
|
36 |
24'-5" |
|
|
37 |
24'-11" |
|
|
38 |
25'-5" |
|
|
39 |
25'-11" |
CYCLORAMA (SKY BLUE) |
RECTIAL HALL TECHNICAL INFORMATION:
Seating capacity: 350
Stage Dimensions: 40' 0" wide Depth: 20'
Sound
2 CBT 1000 Column Loudspearkers
2 CBT 1000 E Column Loudspeakers Extension
2 AM5212/26 12" 2-way Loudspeaker
2 AM5212/66 12" 2-way Loudspeaker
1 Crown DCi 4/2400N for CBT columns, 1-box circuits
1 Crown DCi 4/1250N for AM5212's. Four 1-box circuits
1 Soundcraft Mini Stagebox 32i
Lighting:
Control: (1) ETC Express 250 control console.
Replot consisting of:
10 Source 4 Zoom 25’-50’ specials
12 Source 4 26’
12 Source 4 50’
10 Source 4 parnels
4 Nexera profile units (color change units)
4 Nexera flood units (color change units)
Fly system: No Fly system
Soft goods: No soft goods
